Conference Schedule
The Conference is taking shape in wonderful fashion and will offer a diverse and interesting curriculum.
[update: Sunday, October 11, 2015] Below, you will find the most current Conference Schedule and Description of events as of October 11, 2015. You may also click here for a pdf. version of the 11-page Schedule. However, when you the line-up, we are convinced that you will want to be part of the unfolding celebration. Come and be part of it!
[update: Sunday, October 11, 2015] Below, you will find the most current Conference Schedule and Description of events as of October 11, 2015. You may also click here for a pdf. version of the 11-page Schedule. However, when you the line-up, we are convinced that you will want to be part of the unfolding celebration. Come and be part of it!
- There have been remarkably few changes since the Draft Schedule was uploaded to this site on September 5. Most notably, because Alexis Rotella will not be able to attend, Deborah Kolodji's "Understanding the Larger Pond: Haiku in the Mainstream Poetry Community" has been moved to 10:30 on Friday in Everest Lounge, and Michael Kennedy will be presenting "Future Poet" at 3:05 on Friday in Everest Lounge (see below). Ms. Rotella will, of course, no longer be on the Haiga Panel on Saturday morning. Also, as described below, a trolley is being provided at 4:15 on Friday from Old Chapel to bring participants to the Stockade Ginko with David Giacalone, and to return the ginko group at 6:45 to campus from the special HNA 2015 $12 dinner at Arthur's Market. Note: If the weather is inclement, the Trolley will provide us with a slow-driving-ginko through the Stockade.
Haiku North America 2015 (Union College, Schenectady, NY & The Desmond, Colonie, NY)
SESSION DESCRIPTIONS (updated as of Sunday, October 11, 2015)
Wednesday Oct.14
9:00 a.m. Registration Desk Opens at The Desmond
9:30 a.m. Leaf and Art Viewing Tour departs from The Desmond (returns by 4:30 p.m.)
6:30 p.m. The Desmond – King Street Courtyard Reception
(Sponsored by The Heron’s Nest)
7:00 p.m. Town Hall Opening Session
to 9:00 p.m.
Welcome
John Stevenson
Michael Dylan Welch
Hilary Tann
Read Around
“Realism Is Dead”
Jim Kacian
“Realism is a way a way of representing the real
world in artistic terms, and nominally the underpinning
of haiku but the modern world has become
far too abstract to portray in traditional
ways. If haiku is no longer rooted in the real
world, what might ground it? Contemporary
haiku must be able to account for equity derivatives,
mass killing at a distance, the purchase of
political power within a democracy, the discovery
of the Higgs boson, internet dating and much
much more that, for all their lack of “real world”
causality, are essentially abstract transactions in
this context. Real cherry blossoms can be seen,
paradoxically, as a retreat from the world rather
than engagement with it.”
Haiku Education Invocation
John Stevenson
Thursday Oct. 15
(10 a.m. to 6 p.m. Book Fair at Nott Memorial; Silent Auction at Hale House)
8:15 a.m. Buses depart from The Desmond for Union College
(Coffee and muffins in Union College Hale House)
9:00 a.m. to 10:45 UNION OLD CHAPEL
Welcome to Union College from by Emeritus Professor of History and Political Science and Founder of the Union College Asian Studies Program, Don Thurston
William J. Higginson Memorial / Keynote Address
Dr. Randy Brooks
Haiku Educators - Panel Discussion
Michael Dylan Welch, Moderator
Aubrey Cox Tom Painting
Rich Schnell Geoff VanKirk
11:00 a.m. UNION OLD CHAPEL
to 11:45 a.m. Japanese Aesthetics and Junk Haiku
Lee Gurga
“A presentation of the importance of the four Japanese
aesthetic principles of Ma, Kire, Kigo, and Kokoro in
haiku followed by an audience discussion that will reveal
their operation in some of today’s finest English-language
haiku.”
11:00 a.m. UNION EVEREST LOUNGE
to 11:45 a.m. Beyond Surprise: Haiku and the Poetics of George Oppen
Philip Rowland
“Few poets have shown as sincere and consistent a concern
for clarity as George Oppen. Like haiku, his poetry
adapts Imagist principles, often finding the “miraculous”
in the commonplace. But his search does not stop with the
“aha” moment; skepticism underlies his faith in clarity,
which must be “earned.” This paper arues for the
relevance of his poetics to the development of haiku,
beyond mere surprise or novelty.”
Noon to BUFFET LUNCH IN HALE HOUSE
1:45 p.m.
2:00 p.m. UNION OLD CHAPEL
to 2:45 p.m. Why Haiku — A Personal Reflection
Scott Mason
“This presentation is a personal paean to haiku — the
qualities, effects and potentialities that not only have
captivated me as a reader and writer but also have
enriched my life. My remarks will be illustrated by a
selection of other poets’ work from the newly released
volume Nest Feathers: Selected Haiku from the First 15
Years of The Heron’s Nest.”
2:00 p.m. UNION EVEREST LOUNGE
to 2:45 p.m. Autumn Term: Haiku in Schools
Dr. Shashi Angelee Deodhar
“My interest in this field sparked two years ago when I was
involved in compiling an anthology of haibun, Journeys
and again this year as I worked on Journeys 2015. I noticed
that only older people are writing in this genre. I feel it is
imperative that we bring haibun into schools. Children
can be taught to write haibun as easily as haiku. They have
great powers of observation.”
2:00 p.m. UNION MILANO LOUNGE
to 2:45 p.m. Brushed by the Autumn Wind: The Haiku Journey of Tagami Kikusha (1753 - 1836)
Cheryl Crowley
“A talk introducing the life and work of Tagami Kikusha,
an 18th century Japanese female haikai poet, tea practitioner,
musician, painter, and traveler in the tradition of
Matsuo Basho.”
3:00 p.m. UNION OLD CHAPEL
to 3:40 p.m. Branching Out: Groups within the haiku community
Jennifer Sutherland
“An exploration of the various benefits of group participation
and workshopping within the haiku community.
Poets who are already part of a group or interested in
either joining or establishing a local haiku group should
benefit from the presentation and discussion”
3:00 p.m. UNION EVEREST LOUNGE
to 3:40 p.m. A Path of Desire
Peter Newton, Kathe L. Palka
“From July 2013 through August 2014, Perter Newton and
Kathe L. Palka wrote tan renga on a nearly daily basis via
mail. 75 of the over 100 written during this collaboration
are collected in their book titled A Path of Desire. A description
and reading will be followed by discussion.”
3:50 p.m. UNION OLD CHAPEL
to 4:40 p.m. A Woman’s Desire: The Lost Letters of Chiyo-ni
Terry Ann Carter, Marco Fraticelli
“The performance will begin with a brief history of
Chiyo-ni’s life and the place we feel that she deserves to
hold in haiku history. This will be followed by a reading
from ‘A Thousand Years.’ The reading of each of her
letters will be followed by a mime performance based on
an accompanying haiku by Chiyo-ni.”
3:50 p.m. UNION EVEREST LOUNGE
to 4:40 p.m. HaikuWALL India
Kala Ramesh
“Kala Ramesh has been instrumental in bringing school
kids and undergrads to haiku in India. Her latest
obsession is to paint city walls with haiku written by her
students, helping to weave a pause, a breather into hectic
lives. This session revolves around a short, crisp film
capturing haiku on WALLS.”
5:00 p.m. NOTT MEMORIAL
to 6:30 p.m. Ion Codrescu - Haiga Painting
Refreshments (Sponsored by The Haiku Foundation)
Welcome - Julie Lohnes
Artist Introduction - Jim Kacian
Address by Ion Codrescu
(The Welcome, Artist introduction and Artist Talk begin at 5:30 p.m.)
DINNER ON CAMPUS AT RECEPTION OR REAMER CAMPUS CENTER
7:30 p.m. UNION OLD CHAPEL
to 9:00 p.m. The Search for Solitude: China’s Hermit Tradition
Red Pine (Bill Porter)
A slide and lecture presentation describing the travels of
Red Pine (Bill Porter) in China in search of the Taoist/
Buddhist hermit tradition.
9:15 p.m. Buses Depart from Old Chapel to The Desmond
Friday Oct. 16
(10 a.m. to 6 p.m. Book Fair at Nott Memorial; Silent Auction at Hale House)
8:15 a.m. Buses depart from The Desmond for Union College
(Coffee and muffins in Hale House)
9:00 a.m. UNION EMERSON AUDITORIUM
to 9:40 a.m. Memorial Reading and Reflections
John Stevenson
“Kilvert’s Hill”
Hilary Tann - Composer
Andrew Barnhart (Cello): “The Musical Landscapes of Hilary Tann,” Centaur CRC 3357
9:50 a.m. UNION EMERSON AUDITORIUM
to 10:20 a.m. Haiku With Feathers
Ruth Yarrow
“I will present my haiku about birds, very briefly describe
the birds’ habitats so the audience can imagine themselves
there, and whistle, hoot or trill the appropriate song.”
9:50 a.m. UNION EVEREST LOUNGE
to 10:20 a.m. The Significance of Kukai in Elementary School
Makoto Nakanishi
“Kukai is a haiku sharing circle where poets make, submit,
select and appreciate haiku together. Even though the
name of the poet receiving the most votes is revealed at
the end, the most interesting part of the kukai is the
anonymity and equality in selecting and appreciating
haiku throughout the process. I will focus on the
significance of haiku in education.”
10:30 a.m. UNION EMERSON AUDITORIUM
to 11:30 p.m. Haiku Chronicles: Learning Through Multimedia and the Podcast
Donna Beaver, Alan Pizzarelli
“Haiku Chronicles producers and hosts, Donna Beaver
and Alan Pizzarelli share their podcast ventures and how
their podcasts are used as a tool for informal learning and
sharing of haiku and related poetic forms. They will offer a
brief history of podcasting, describe their own discover of
podcasting, and explain how and why they do it. ”
10:30 a.m. UNION EVEREST LOUNGE
to 11:30 p.m. Understanding the Larger Pond: Haiku in the Mainstream Poetry Community
Deborah P. Kolodji
“Haiku has been appearing more frequently in the
mainstream, from President Obama’s ‘haiku’ to the
‘Japanese Forms’ issue of Rattle. How is haiku
perceived outside of the haiku community? What
can we do to change it?”
11:45 a.m. to BUFFET LUNCH IN HALE HOUSE
1:45 p.m.
1:50 p.m. UNION EMERSON AUDITORIUM
to 2:50 p.m. A Rengay Workshop
Garry Gay
“This workshop will introduce you to the collaborative
linking form called “rengay.” It will be taught by its
creator, Garry Gay. This one hour workshop will give you
a brief introduction to its history and how to write a two
or three person rengay. It’s an enjoyable experience and
we will be writing together. If you can write haiku, you
can write rengay.”
1:50 p.m. UNION EVEREST LOUNGE
to 2:50 p.m. Only Connect: Linking Haiku and Prose to Create Haibun
Melissa Allen
“Haibun is a linked form, requiring a subtle and sometimes
difficult-to-achieve connection between prose and
haiku. In this workshop we’ll first examine some haibun
and discuss different kinds of linking. Then we’ll do a
free-writing exercise to limber up our associative powers
and finally try our hand at writing some prose linked to an
existing haiku. Please bring a haiku that you have
previously written (even five minutes previously!).”
3:05 p.m. UNION OLD CHAPEL
to 4:05 p.m. Our Frogpond Term: Searching for LIFE in Haiku Submissions
Francine Banwarth, Michele Root-Bernstein
“Banwarth and Root-Bernstein reflect on Frogpond’s
remit under their leadership: to provide a forum for the
best work and the best promise in contemporary haiku
from seasoned, novice and pioneering poets alike; to
select haiku with LIFE—the language, image, form and
elusiveness that deliver freshness; to enable poetic
transition from personal meaning to public contribution.
Participants will have an opportunity to submit poems
beforehand, some of which will be selected for feedback
and reflection.”
3:05 p.m. UNION EVEREST LOUNGE
to 4:05 p.m. Future Poet
Michael Kennedy
“This workshop will use psychodramatic action methods to allow participants the opportunity to hear from their "future writer selves" and identify a key action necessary for their individual growth as a poet.”
4:15 p.m. UNION OLD CHAPEL
to 5:15 p.m. Appropriating Nature
Paul Miller
“There is a tension in traditional haiku between the desire
to write of things just as they are and the reality of poetry
in which objects are manipulated for effect. Using ideas
from ecocriticism this talk will investigate the intersection
of nature and haiku poetics. This paper will look at nonnatural
nature (kigo system), emotional painting (haiku’s
two part structure), and nature as product (activism,
nostalgia).”
4:15 p.m. HISTORIC STOCKADE DISTRICT
through Ginko
Dinner Break
David Giacalone
“A ginko walk through the Historic Stockade Neighborhood (or a Stockade
Ginko Ride on a Union College Trolley, if the weather is too inclement
for walking). Led by long-time resident David Giacalone, the ginko
will leave from Old Chapel at 4:15 p.m. by Trolley for a short drive
to the Stockade District, and then a walk around the neighborhood
and its tranquil Riverside Park, along the Mohawk River. A
residential neighborhood since the 1690s, the Stockade has the
highest concentration of historic period homes in the country.
Three centuries of history, and lore (including a massacre and major
fires) will give us much to write about when we arrive at historic Arthur’s
Market cafe for haiku (and senryu) and victuals. Arthur’s will prepare a special
dinner for the Ginko group, with a choice of vegetarian teriyaki with tofu and rice,
or Lasagna (with meat and cheese) and salad, plus dessert, for $12). Learn
more about the Stockade at http://tinyurl.com/HNAStockade. [Architecture
buffs can take a photo tour in advance at http://stockade.toursphere.com/en/index.html]
EXPLORE DINNER OPTIONS IN SCHENECTADY OR IN REAMER
CAMPUS CENTER (suggested)
[An Interactive Map of Downtown Schenectady can be found at
http://downtownschenectady.org/explore/dining-nightlife/]
7:00 p.m. UNION OLD CHAPEL
to 8:00 p.m. Editors’ Panel
Susan Antolin (Acorn)
Francine Banwarth (Frogpond)
Stanford M. Forrester (Bottle Rockets)
Paul Miller (Modern Haiku)
Scott Mason (The Heron’s Nest)
7:00 p.m. UNION EMERSON AUDITORIUM
to 8:00 p.m. Beijing Opera
The New York Chinese Opera Society presents
“The Emperor and The Barmaid” with live music.
8:15 p.m. UNION OLD CHAPEL
to 9:00 p.m. “Fire in the Treetops” HNA Anthology Reading
Michael Dylan Welch
“Not only HNA 2015 but the full quarter century of HNA
conferences will be celebrated with this reading.”
9:15 p.m. Buses Depart from Old Chapel to The Desmond
Saturday Oct. 17
8:15 a.m. Buses depart from The Desmond for Union College
(Coffee and muffins in Hale House)
NOTE: Today is your last chance to visit the Book Fair and Haiga Exhibit in the Nott Memorial
and to place your bids in the Silent Auction at Hale House (bidding ends 4:50 p.m.)!
9:00 a.m. UNION OLD CHAPEL
to 9:45 a.m. Panel Discussion - Haiga
Jim Kacian - Moderator
Ion Codrescu
Garry Gay
10:00 a.m. UNION OLD CHAPEL
to 10:30 a.m. The Aesthetic Value of Understatement in Haiku
Susan Antolin
“Making a case for moving away from a reliance on
Japanese vocabulary in discussing haiku aesthetics, this
paper focuses on one aesthetic value, the art of understatement,
as an indispensable quality to both traditional
and contemporary haiku.”
10:00 a.m. UNION EVEREST LOUNGE
to 10:30 a.m. The Yuki Teikei Haiku Society - A Unique Introduction of Haiku to North America
Patrick Gallagher
“The knowledge of the art of haiku poetry has traveled
many paths to North America. Forty years ago a unique
introduction of haiku was fostered by a Japanese
immigrant couple who wanted to teach their American
friends the joy of the haiku life. Through its origin with
strong emphasis on Japanese haiku traditions and through
continual interchange with Japanese haiku poets the
Society they founded continues to emphasize and enjoy
classical haiku principles and celebrations.”
10:45 a.m. UNION OLD CHAPEL
to 11:15 a.m. The Cicada’s Voice: How the Wabi-Sabi Aesthetic Can Teach Us How to Live
Mary Stevens
“Wabi sabi, found in a variety of Japanese art forms, refers
to the lonely beauty of incomplete, imperfect, or impermanent
things. Come hear traditional Japanese and modern
English-language haiku and tanka from the 9th to 21st
centuries and view artworks capturing this aesthetic,
including photographs by Tom Clausen.”
10:45 a.m. UNION EVEREST LOUNGE
to 11:15 a.m. Renku for Fun
John Stevenson
“One of the best pieces of advice I ever received about
leading a renku session came from Masahisa (Shinku)
Fukuda. He said, ‘First, it has to be fun.’ The collaboration
between poets that is the heart of renku can be extremely
complex and challenging. There are a lot of rules and
traditions. Poets first encountering renku can easily
become overwhelmed and discouraged. But it doesn’t
have to be that way. While all are invited to this session,
a special invitation is extended to those who are new
or relatively new to renku.”
11:30 a.m. UNION OLD CHAPEL
to Noon Pay It Forward
Roberta Beary
“In 1916 Lily Hardy Hammond wrote, ‘You don’t pay love
back; you pay it forward.’ (Hammond, Lily Hardy (1916).
In the Garden of Delight. New York: Thomas Y. Crowell
Co. p. 209) Roberta Beary’s presentation / reading from
her recent book Deflection will show how haiku and
related forms (haibun, haiku sequences) pay it forward.”
11:30 a.m. UNION EVEREST LOUNGE
to Noon The Vertical Axis in Haibun
Beverly Acuff Momoi
“Why do some haibun stay with you long after reading
them? What gives a haibun resonance over time, culture
and geographical distance? What can today’s writers bring
to the form that builds on the foundation of Basho in
distinctively 21st century ways? This presentation will
examine how successful contemporary haibun operate on
two axes, as Haruo Shirane suggested, and will discuss
strategies for writing haibun that have a strong and deep
vertical axis.”
12:15 to BUFFET LUNCH IN HALE HOUSE
1:45 p.m.
2:00 p.m. UNION OLD CHAPEL
to 2:30 p.m. From Free Verse to Haibun
Penny Harter
“Penny Harter will read a number of new haibun that she
recast/revised from fifteen original free-verse poems,
along with selected haibun written this year.”
2:00 p.m. UNION EVEREST LOUNGE
to 2:30 p.m. Haiku in Education: Literary Haibun
Claudia Coutu Radmore
“We will discover a new form by using the traditional
form of haibun, with an emphasis on how to create the
prose part of the haibun from someone else’s writing,
and how to make the haiku part interesting as well as
unpredictable. We’ll learn how writing haibun from such
sources can enrich the experience of the original work
both for the haibun writer and for readers. Participants
can write and perhaps share a ‘little literary haibun’ of
their own.”
2:45 p.m. UNION OLD CHAPEL
to 3:30 p.m. Translating Shiki
Charles Trumbull
“Of the classic Japanese haiku masters, Masaoka Shiki is
the least translated-and, it might be argued-the least well
translated. Through a careful examination and comparison
of the approximately 1,950 translations into
English and other Western languages of Shiki’s 29,000
haiku, we will suggest some reasons why the poetic work
of Shiki, perhaps the most influential theoretician of
haiku, is so poorly represented in the West.”
2:45 p.m. UNION EVEREST LOUNGE
to 3:30 p.m. Midwest Haiku Path
Julie Warther
“This slideshow presentation will illustrate the creation
and grand opening of the Midwest Haiku Path in
Millburg, Ohio; a joint venture of the Haiku Society of
America and The Inn at Honey Run. Julie Warther, Midwest
Regional Coordinator for the Haiku Society of
America, will discuss the how-to aspects of its creation
and its possible future applications for increasing haiku
awareness and education.”
3:45 p.m. NOTT MEMORIAL
HNA 2015 Group Photograph
We will gather on one of the sets of steps
leading to the Nott Memorial. Photographer
Garry Gay will determine which offers the
best lighting. Please be on time.
4:00 p.m. “Colors of Japan”
Featuring Zakuro-Daiko, The Union College
Japanese Drumming Ensemble, Directed by
Prof. Jennifer Milioto Matsue
4:30 p.m. Farewell to Union and Thanks to All Union Supporters
Hilary Tann
5:00 p.m. Buses Depart from Old Chapel to The Desmond
6:30 p.m. THE DESMOND - KOI POND
to 7:00 p.m. Reception (Sponsored by Modern Haiku)
7:00 p.m. THE DESMOND - FORT ORANGE BALLROOM
to 10:00 p.m. The Haiku North America 2015 Banquet
An appearance by Haiku Elvis
Remarks from Red Pine (Bill Porter)
Announcement of the Next HNA Venue
Results of the Silent Auction
Sunday Oct. 18
9:00 a.m. THE DESMOND - TOWN HALL
to 10:00 a.m. Spiritual Freedom: Haiku Lessons from Wassily Kandinsky
Michael Dylan Welch
“Kandinsky’s seminal book on modern art,
Concerning the Spiritual in Art, provides
guidance for haiku poets without ever once
mentioning haiku. My paper explores the role
of the spiritual in haiku, without needing to
discuss Zen, raising intriguing questions about
various ways to approach and receive haiku in
spiritual ways.”
9:00 a.m. THE DESMOND - THE LODGE
to 10:00 a.m. Dream Haiku Workshop
Kathabela Wilson
“This is a workshop I recently tested at our SO CA
Haiku Study Group. It is an hour long focus on
the expanse of time—when we sleep, rest, nap--
and how it can be used for haiku. It includes two
‘napping’ (rest, relaxing) sessions. Rick (Wilson)
plays soft shakuhachi or desert flute accompaniments,
that move into writing sessions. Poems to be shared
as time permits and poets are willing.”
10:15 a.m. THE DESMOND - TOWN HALL
to 11:30 a.m. Organizing Effective Haiku Events and Workshops
Deborah P. Kolodji
“The presentation / workshop will illustrate ways of
energizing locial haiku workshops, offer suggestions
for unique haiku events, and discuss various strategies
for planning. Part of the session will include sample
workshop exercises.”
A Reading of “Conference Haiku” (poems written during HNA 2015)
Reflections and Closing
. . . . .
Tanka Sunday – FREE and open to everyone
1:00 to 10:00 p.m. The Desmond – in The Lodge
Keynote Speaker: Amy V. Heinrich
- see Program for more information -
